KATTATTAK! S14E4

 Here’s a list of EDM, trance, and house music milestones connected to December:

1. Tiësto’s Elements of Life Tour Finale (December 2007):
   Trance legend Tiësto concluded his monumental Elements of Life world tour in December 2007. This tour helped cement his reputation as one of the biggest names in the genre, bringing stadium-level trance to the masses.

2. Swedish House Mafia’s One Last Tour Announcement (December 2012):
   In December 2012, Swedish House Mafia teased their highly anticipated farewell tour, One Last Tour, which became one of the most successful tours in EDM history, with a final show at Ultra Music Festival the following year.

3. Armin van Buuren’s A State of Trance Year Mix (Annual December Tradition):
   Every December, Armin van Buuren compiles his A State of Trance Year Mix, a retrospective of the year’s biggest trance hits. This mix has become a staple for trance fans, summarizing the genre’s evolution each year.

4. Deadmau5’s For Lack of a Better Name Winter Shows (December 2009):
   Deadmau5’s winter gigs in December 2009 showcased tracks from his album For Lack of a Better Name, including the iconic "Ghosts ‘n’ Stuff," solidifying his place in the progressive house scene.

5. Paul van Dyk’s Reflections Winter Tour (December 2003):
   In December 2003, Paul van Dyk embarked on his Reflections tour, introducing audiences to his fusion of trance and progressive house, which became influential in shaping the sound of the early 2000s.

6. Above & Beyond’s Group Therapy Milestone Episodes (Often in December):
   December often features milestone episodes of Above & Beyond's Group Therapy Radio. These special year-end broadcasts highlight fan-favorite tracks from the trance and progressive house spectrum.

7. Porter Robinson’s Debut of "Language" in December Sets (2012):
   In December 2012, Porter Robinson’s performances often included "Language," which was quickly becoming an anthem for the progressive house and melodic EDM scenes, captivating fans with its emotional depth.

8. Zedd’s Breakout with "Clarity" (December 2012 Success):
   Zedd’s "Clarity" became a December phenomenon, charting globally and dominating winter playlists, marking a major moment in commercial EDM with its blend of house beats and melodic hooks.

9. Eric Prydz’s HOLO Announcements (December Releases and Updates):
   Prydz often uses December to unveil new elements of his HOLO show, blending progressive house with cutting-edge visuals. His shows highlight his ability to merge music and technology into an immersive experience.

10. Ultra South Africa Lineup Drops in December:
    As one of the first Ultra festivals each year, Ultra South Africa often releases its lineup in December, featuring top EDM, house, and trance acts, hyping fans for the festival season ahead.

S14E3 KattattaK!

 Happy Thanksgiving! This coming Saturday at the Kimkattia Dome, DJ Katt and friends will soothe away your turkey hangover with another 90 minutes of dance music to get those lets flailing and toes tapping. 

KattattaK! Season 14 kick off! Classic Rock Special

So weeks off this time! Season 13 is wrapped up but we are immediately kicking Season14 off this weekend with a Classic Rock Special featuring some late 70s punk, 80s indie and 90s grunge rock. If you enjoyed our Season 13 detour into the world of EDM, dance, trance, progressive house and chilldown, then fear not, because DJ Katt will be bringing you more of that in the weeks to come. Remember, kids, if you're not here, you're missing out!

HEAVEN vs. HELL: Halloween with DJ Sia and DJ Katt

 This Saturday, 26th October 2024, at 6pm SLT, we're taking over the club at Otter Lake (thanks, Sharon), to bring you DJ SIA (The Deviant DJ) vs. DJ Katt Aurora who will be playing some fiendish music from above and below. Come along, wear a costume, enjoy the banter and the music!

KattattaK! S13E8 SAT 10/19/24 @ 6pm SLT

 

Gallery REOPEN!

 

KattattaK! S13 NEW SEASON

 KattattaK! Season 13 Premiere

Get ready to ignite the dance floor as DJ Katt Aurora kicks off Season 13 of KattattaK! with a high-octane set of electrifying dance tunes. Katt Aurora will take you on a sonic journey that transcends genres and keeps you moving all night long. Be at The Kimkattia Dome for an unforgettable night as KattattaK! returns, louder and more dynamic than ever!

DJ SIA - August 3rd 2024

 This week (and possibly next), we are pleased to have our own Aurora Girl spinning the tunes here at the Kimkattia Dome.

SJ SIA [[ THE SOUND OF DEVIANCE ]]

Katt's Retro Arcade S12E7

This Saturday (July 13th 2024), we're back in the Dome once again for another Season 12 Retro Arcade with DJ Katt! 

Happy Birthday: Vince Clarke: The Synthpop Maestro

Vince Clarke, one of the most influential figures in the world of electronic music. Born on July 3, 1960, in South Woodford, Essex, England, Clarke's contributions to the music industry have been nothing short of revolutionary. His innovative approach to synthesizers and electronic sounds has left an indelible mark on the genre, shaping the soundscape of the 1980s and beyond.

Early Beginnings and Depeche Mode

Vince Clarke's journey into the realm of music began at an early age. As a teenager, he developed a keen interest in electronic music, influenced by artists such as Kraftwerk and Orchestral Manoeuvres in the Dark (OMD). This passion led him to form the band Composition of Sound in 1980, alongside Martin Gore and Andrew Fletcher. The addition of Dave Gahan soon transformed the band into Depeche Mode.

Clarke's time with Depeche Mode, though brief, was immensely impactful. He was the principal songwriter for their debut album, "Speak & Spell," which included hits like "Just Can't Get Enough" and "New Life." His bright, pop-oriented compositions set the stage for Depeche Mode's future success. However, Clarke's creative vision soon led him to seek new horizons, and he departed from the band in 1981.

Yazoo: A New Chapter

Following his departure from Depeche Mode, Vince Clarke formed Yazoo (known as Yaz in the United States) with vocalist Alison Moyet. This collaboration resulted in a unique blend of Clarke's electronic melodies and Moyet's soulful voice. Yazoo's debut album, "Upstairs at Eric's," released in 1982, was a critical and commercial success. It featured iconic tracks such as "Don't Go," "Only You," and "Situation."

Yazoo's success continued with their second album, "You and Me Both," in 1983, which included hits like "Nobody's Diary." Despite their success, creative differences led to the duo's split later that year. Nevertheless, Yazoo's music has endured, continuing to influence and inspire new generations of electronic musicians.

Erasure: Enduring Success

Perhaps Vince Clarke's most enduring and successful project is Erasure, formed in 1985 with vocalist Andy Bell. Erasure's music combined Clarke's impeccable sense of melody with Bell's powerful vocals, creating a string of hits that dominated the charts throughout the 1980s and 1990s. Their debut album, "Wonderland," set the stage, but it was their second album, "The Circus," that truly catapulted them to fame with tracks like "Sometimes" and "It Doesn't Have to Be."

Erasure's subsequent albums, including "The Innocents" (1988), "Wild!" (1989), and "Chorus" (1991), solidified their status as synthpop icons. Hits like "A Little Respect," "Chains of Love," and "Love to Hate You" became anthems of the era. Clarke's innovative use of synthesizers, coupled with Bell's charismatic stage presence, ensured that Erasure remained a beloved fixture in the music world.

Legacy and Influence

Vince Clarke's influence extends far beyond his own projects. His pioneering work in the use of synthesizers and electronic music production has inspired countless artists across various genres. From the early days of Depeche Mode to the lasting success of Erasure, Clarke's ability to craft catchy, emotive songs has left an indelible mark on the music industry.

Clarke's legacy is not only defined by his musical output but also by his role in shaping the sound of electronic music. His work has paved the way for future generations of musicians to explore and experiment with electronic sounds, pushing the boundaries of what is possible in music.

Conclusion

As we celebrate Vince Clarke's birthday, we honor a true pioneer of electronic music. His contributions to Depeche Mode, Yazoo, and Erasure have left an enduring legacy that continues to resonate with fans and musicians alike. Clarke's innovative spirit and dedication to his craft have made him a timeless figure in the music industry. Happy Birthday, Vince Clarke! Here's to many more years of musical brilliance and inspiration.

KattattaK! S12E6 ::: Back to Katt's Retro Arcade!

 

This Saturday (July 6th 2024), we're back in the Dome once again for another Season 12 Retro Arcade with DJ Katt! 

In science fiction, female robots have often played pivotal roles, reflecting societal anxieties, aspirations, and perceptions of gender and technology. These characters, ranging from gynoids to humanoid androids, often embody complex narratives about the intersection of humanity and artificial intelligence. Historically, female robots in sci-fi, such as Maria in Fritz Lang's "Metropolis," symbolize both utopian and dystopian visions. They frequently serve as metaphors for the mechanization of society and the objectification of women, simultaneously challenging and reinforcing traditional gender norms. In more contemporary works, such as the television series "Westworld" or the film "Ex Machina," female robots are depicted with greater depth, often exploring themes of autonomy, consciousness, and the ethical implications of AI. These narratives delve into the moral quandaries of creating sentient beings, questioning the boundaries between human and machine. Moreover, they highlight issues of power, control, and the desire for freedom. Through these multifaceted portrayals, female robots in science fiction not only reflect technological advancements but also provoke critical discussions about gender, identity, and the future of human-robot interactions. Thus, they serve as a compelling mirror to our evolving understanding of technology and its impact on society.

KattattaK! S12E5 ::: Back to Katt's Retro Arcade!

Last Saturday of June! We're back in the Dome once again for another Season 12 Retro Arcade with DJ Katt! 

Katt is currently having a resurgent interest in dark, dystopian, early-1980s synth and industrial music. What is that all about? Well, German post-punk industrial music emerged in the late 1970s and early 1980s, blending the stark, minimalist aesthetics of post-punk with the harsh, mechanical sounds of industrial music. It features abrasive guitar riffs, synthesizers, and unconventional production techniques, often incorporating themes of alienation, dystopia, and existential angst. Bands like Einstürzende Neubauten and Die Krupps exemplify this genre, utilizing found objects and experimental noise to create a raw, visceral sound. The genre is characterized by its avant-garde approach, blending electronic music with punk’s DIY ethos, resulting in a sound that is both challenging and innovative.

John Foxx and Gary Numan, though primarily associated with the British electronic and synthpop scenes, significantly influenced the development of German post-punk industrial music. John Foxx, as the original lead singer of Ultravox, pioneered a cold, synthesizer-driven sound that prefigured the industrial genre. His solo work, especially the album "Metamatic," further explored themes of alienation and dystopia, resonating with the post-punk industrial ethos.

Gary Numan, with his band Tubeway Army and solo career, introduced a mechanical, robotic sound through hits like "Are 'Friends' Electric?" and "Cars." His use of synthesizers and stark, futuristic imagery influenced many German artists, contributing to the synthesis of electronic music with post-punk's dark, introspective qualities. Both Foxx and Numan's work laid the groundwork for the fusion of electronic music and post-punk that became a hallmark of the German industrial scene.

PSA: Ideas to improve Firestorm 7.1.9 performance

Ideas to improve Firestorm 7.1.9 performance

• Some Ideas to improve Firestorm 7.1.9 performance No guarantee that any of this will work for you! Everyone's computer is different. That's part of the challenge for something like SL, they can't just make one "one game for all" like they do with a Playstation or XBOX because with those systems everyone is on the same hardware so they know what's going on... That said...it should also be noted that non-PBR viewers will soon be deprecated by the increasing use of PBR textures in creations with no fallback blinn-phong textures. I hear all the time that people are stubborn about updating their hardware -just because- of SL getting more complex. Well, SL is like any other computer app/software/game, if it never got better people would bitch about that too. So truth is, 2024 might be the last time your current PC/Mac can handle running SL and you might want to think about upgrading (I know, you don't want to hear that). What? 1 - So Linden Lab is pushing this new PBR (Physically based rendering) lighting and texturing model. [https://en.wikipedia.org/wiki/Physically_based_rendering] 2 - Advanced Lighting Model & Atmospheric Shaders are on by default and you can no longer disable them! Sorry! 3 - Are you totally screwed then? Well, for now at least you can always go back to the previous version but LL and FS have a 3 version limit, eventually the last working version will be shut down and you will HAVE to use this one, or go play Roblox or Minecraft or something instead...But there might be some things you can do now to improve the performance you get from the PBR-viewer... I. Go to Preferences → Graphics → General - Make sure Screen Space reflections and Mirrors are not checked. - Make sure Shadows is set to none. - Reflection Detail should be set to static-only. - Reflection Coverage can be set to none (this will prevent any and all reflections which means you’ll never see mirrors, but it might buy you FPS) II. Go to Preferences → Graphics → Hardware Settings - Uncheck Anisotropic Filtering, that’s a FPS-hog right there, it’s basically a setting that gives lighting a muted, soft appearance like you are looking through a slight haze. Choice is yours. It’s aesthetic. Enable vSync is tricky. Depending on your graphics hardware this can make or break performance. Only way to know is trying with it on, and off. - Antialiasing - don’t quote me but I think this is only for nVidia cards (which I have), and my default was FXAA. It’s a setting that makes things less edgy and pixelly and is used in most games now. If it says that FXAA is on, and you don’t have an nVidia card, select disabled. I am not even sure if you can change the setting if it doesn’t apply. Either way… - Advanced Settings → Override VRAM detection could be a biggie. Again, if you have onboard GPU or certain branded graphics this might not even be a selectable option but if it’s unchecked, try checking it, and sliding the slider down to smaller VRAM amount. For example my GPU has 6GB VRAM (yeah it’s a dog, it should be for what it cost me!) but I’ve been reading that dropping that might help stabilize and speed up things, although it seems counter-intuitive to me not to be using all your graphics memory. I’ve noticed that in the new FS, other apps on my PC are laggy! Mixx (streaming music) is very laggy if I run it alongside FS (which of course I always do!) which is not idea. I’ll maybe try to reduce my VRAM and see if that helps. "BUT KATT! IT'S STILL LAGGY, SLOW AS SHIT AND I'M SAD!" OK - well let's consider a couple of things you can do that were applicable even before we got into this PBR thing... - What's your bandwidth set to? Just because you have GigaFiber at a bazillion gig download, doesn't mean you should ramp up to max in SL. In fact, the amount of data SL sucks down the internet isn't as much as you'd think, so try running about 650-700 maybe 900 tops. When you try to send it up to 1500 or so, you flood the buffers, you're standing in front of the firehose, it's too much data all at once for SL to handle. So sometimes less is more. - What's your draw distance set to? There's an old joke about a woman goes to the eye doctor says "I need glasses, I can't see very far", the eyedoc takes her outside points up and says "What's that??" she says "Errrrr the sun?" he says "Thats 93 million miles away, just how far do you want to be able to see???" - Set your draw distance to what you need. Indoors, at the nightclub, in the garden, 80m is plenty. If you are sailing and want to avoid crashing into boats and lighthouses, then 150-200...maybe 300m is good. But running around maxed out 1024m is going to slow you down bigtime. Why? Because SL has to draw in all that detail even if you don't need it. I run around at 32m most of the time, I don't need to see to the next sim unless I'm sailing or something... LASTLY, Try a fresh install. Seriously, it sound likes blahblahblah but installing FS fresh with all the previous versions' files deleted first can solve a boatload of issues. Ask me why if you feel the need. OK - that was a freaking thesis. Hope some of this works out for you -KATT ♥

KattattaK S12E4 Katt's Retro Arcade

Hey folks, yes, despite the heat, we will be back again this Saturday evening at 6pm SLT for S12E4 of KattattaK! and it's another trip to Katt's Retro Arcade for a mix of synthwave, synthpop, retrowave, vaporwave and original 1980s tunes. Oh heck, you know by now, it's mostly whatever Katt wants to play and everyone seems okay with that too! 

The 80s had a really distinctive sound: the Roland TR-808 Rhythm Composer, released in 1980, revolutionized music production with its distinctive analog drum sounds. Created by Roland Corporation, the 808 initially faced criticism for its unrealistic drum timbres but gained iconic status due to its affordability and unique, deep bass and snappy snare. Despite being discontinued in 1983 due to a shortage of its transistors, the TR-808 left a lasting legacy, shaping genres like hip-hop, electronic, and pop. Artists like Afrika Bambaataa, Marvin Gaye, and later, Kanye West, utilized its sounds, cementing the 808's place as a cornerstone in modern music history.

S12E3: "Katt's Retro Arcade" @ KattattaK!

We are back again this Saturday evening at 6pm SLT for S12E3 of KattattaK! and it's another trip to Katt's Retro Arcade for a mix of synthwave, synthpop, retrowave, vaporwave and original 1980s tunes. And as it's Pride Month, your DJ may find a few rainbow-tinted-anthems to throw into the mix!

PRIDE MONTH 2024

Pride Month, celebrated each June, commemorates the struggles and achievements of the LGBTQ+ community. Its origins trace back to the Stonewall Riots, a pivotal series of events in 1969. On June 28 of that year, patrons of the Stonewall Inn, a gay bar in New York City, resisted a police raid. The raid was one of many in an era when LGBTQ+ individuals faced widespread discrimination and harassment. The riots, led by figures like Marsha P. Johnson and Sylvia Rivera, sparked six days of protests and clashes with law enforcement, galvanizing the LGBTQ+ rights movement.

The following year, on the anniversary of the riots, the first Pride marches were organized in New York, Los Angeles, and Chicago, aiming to promote visibility and rights for LGBTQ+ individuals. These marches grew in size and number over the years, eventually becoming an annual event. In 2000, President Bill Clinton officially declared June "Gay and Lesbian Pride Month," a designation expanded by President Barack Obama to "LGBT Pride Month" in 2009, recognizing the diversity within the community.

Pride Month serves not only as a celebration of identity and community but also as a reminder of the ongoing fight for equality and acceptance. Parades, festivals, and educational events occur worldwide, honoring the history of the LGBTQ+ movement and advocating for continued progress in human rights.

KattattaK S12E2 Katt's Retro Arcade

Get ready for another Retro Arcade with DJ Katt Aurora exclusively at the Kimkattia Dome this Saturday, 8th June 2024 @ 6pm SLT.

Get ready to time travel! Join us this Saturday at 6pm SLT for S12E2 of Katt's Retro Arcade, the ultimate retro 80s, synthwave, synthpop, and retrowave show at the Kimkattia Dome. Dance the night away to electrifying beats and nostalgic tunes that will transport you back to the era of neon lights, classic synths, and timeless hits. Rez your best 80s attire and prepare for an unforgettable evening filled with vibrant music,  witty banter, and the inevitable bad jokes! Remember, if you're not here, you're missing out!

KattattaK! Season 12 NEW SEASON

 

Get Ready for KattattaK! Season 12 Episode 1: Katt's Retro Arcade this Saturday evening at the Kimkattia Dome! Doors open just before 6pm (SLT). Remember, if you're here, you're missing out!

Dust off your neon leg warmers, tease up that hair, and step into the vibrant world of Katt's Retro Arcade! KattattaK! returns for its twelfth sensational season this Saturday at the Kimkattia Dome. This season, Katt is once more taking us on a nostalgic journey back to the dazzling 80s, with an electrifying blend of 80s classics, retrowave, synthwave, and synthpop that promises to keep you dancing all night long.

Katt, will be mixing it up all season long playing the music that pulses through her veins! Embrace the 80s vibe and come dressed in your best retro attire. Think neon colors, leg warmers, high-top sneakers, and big hair — show off your style and become a part of the vibrant tapestry of the night.

The evolution

The evolution of 80s synthpop into synthwave and retrowave is a fascinating journey through musical innovation and cultural nostalgia. Synthpop, characterized by its prominent use of synthesizers and electronic beats, dominated the 1980s, producing timeless hits from artists like Depeche Mode, Pet Shop Boys, and New Order. As the digital revolution of the 2000s unfolded, a renewed appreciation for the distinctive soundscapes and aesthetics of the 80s emerged. 

This nostalgia, combined with advancements in music production technology, gave rise to synthwave and retrowave. These genres blend the classic, analog warmth of vintage synthesizers with contemporary production techniques, creating a sound that is both a homage to and a reinvention of the past. 

Synthwave often evokes the futuristic, cinematic vibe of 80s sci-fi films, while retrowave leans heavily into the nostalgic and stylistic elements of the decade, incorporating retro visuals and themes. Together, they encapsulate a longing for the past while pushing the boundaries of modern electronic music.

No KattattaK! Memorial Weekend!

 

The Kimkattia Dome will be dark this weekend as Katt is taking a week off between the end of Season 11 and the start of Season 12. Happy Memorial Day. 

Watch this space for news on upcoming events including the S12 Premiere!

KattattaK! S11E10 THE SEASON FINALE

 

This week at the Kimkattia Dome we're bringing Season 11 to a close with an all-in Totally 80s set!

Embark on another nostalgic journey at the Kimkattia Dome's "Totally 80s" Night! Get ready to experience the ultimate blast from the past as DJ Katt transports you back to the era of neon lights, leg warmers, and iconic tunes that defined a generation. Break out your shoulder pads and tease up your hair because it's all about the fashion of the 80s! Whether you're channeling Madonna's edgy style or embracing the preppy look of The Breakfast Club, come dressed to impress in your raddest 80s attire!

Kattattak! S11E9 - "Not Eurovision!"

This week at KattattaK! your DJ is lining up another of her "Totally 80s" mixes. Saturday is also the final of the 2024 Eurovision Song Contest in Malmö, Sweden, so in honor of that, Katt might play some songs from the 1980s that were entries (not necessarily winners) of the ESC during the decade.

But - I hear you cry - what the heck is a Eurovision Song Contest? - well, let me tell you:

The Eurovision Song Contest is a wildly popular annual event in Europe where countries from across the continent come together to compete through music. Here's a breakdown to explain its overall premise:

1. International Music Competition: Think of Eurovision as the Olympics of music, but instead of athletes, countries send their best singers or bands to represent them. It's like a big musical showdown where each country competes against the others.

2. Diverse Performances: The contest is known for its eclectic mix of musical genres, from pop and rock to folk and even opera. So, you can expect a wide variety of performances, often with colorful costumes, elaborate staging, and catchy tunes.

3. Voting System: One of the unique aspects of Eurovision is its voting system. After all the performances, viewers from participating countries get to vote for their favorite songs, but they can't vote for their own country's entry. This means there's a lot of strategic voting and alliances between countries.

4. Cultural Celebration: Eurovision isn't just about the music; it's also a celebration of Europe's cultural diversity and unity. It brings together people from different countries and backgrounds to share in the joy of music and entertainment.

5. Historic Significance: The contest has a long history dating back to 1956 and has launched the careers of many famous artists. It's also a reflection of Europe's ever-changing political landscape, with countries sometimes using the contest to make political statements or showcase their national identity.

Let's delve a bit deeper into Eurovision's cultural impact:

1. Unity and Diversity: Eurovision serves as a platform for celebrating Europe's cultural diversity while fostering a sense of unity. It brings together countries with different languages, traditions, and histories, showcasing the richness of European culture on a global stage.

2. Promotion of LGBTQ+ Rights: Eurovision has long been embraced by the LGBTQ+ community for its inclusive and accepting atmosphere. Many Eurovision fans and contestants are openly LGBTQ+, and the contest has served as a platform for promoting LGBTQ+ rights and visibility, especially in countries where such issues may still be taboo.

3. Economic Boost: Hosting Eurovision can provide a significant economic boost to the host city and country. The event attracts thousands of visitors, generates tourism revenue, and boosts local businesses. Additionally, the exposure from hosting Eurovision can lead to increased tourism and investment in the host country's cultural sector.

4. Cultural Exchange: Eurovision facilitates cultural exchange between participating countries. It introduces audiences to music styles, languages, and traditions from across Europe that they might not have been exposed to otherwise. This cultural exchange fosters understanding and appreciation between nations.

5. Pop Culture Phenomenon: Eurovision has become a pop culture phenomenon, not only in Europe but also internationally. Its flamboyant performances, quirky personalities, and memorable moments have captured the imaginations of audiences worldwide. The contest has inspired countless parodies, memes, and even a popular Netflix movie ("Eurovision Song Contest: The Story of Fire Saga").

6. Music Industry Impact: For aspiring artists, Eurovision can be a springboard to international fame and success. Past contestants like ABBA (Sweden), Celine Dion (Switzerland), and Conchita Wurst (Austria) have gone on to achieve global stardom after competing in Eurovision. The contest provides a platform for artists to showcase their talent to a massive audience and attract attention from music industry professionals.

So hopefully now you know...

KattattaK! S11E8 "May the Fourth Be With You"

That's right, KattattaK! fans, it's May 4th, also known as Star Wars Day for obvious (...well to most people) reasons. This week is another of Katt's "Anything Goes" Saturday Night Getdown sessions where Katt goes to the jukebox, mashes the buttons and sees what falls out. 

There may be references to Star Wars in there, you'll have to come along to find out. Same time, same place as always, and remember, if you're not here, you're missing out!

Also a bit of sad news has come across my screen this morning. Long time ELO collaborator Richard Tandy, a master at the keyboards, has passed away this week. I grew up listening to ELO in all of its formats, and "Out of the Blue" around 1977/78 was the first 'grown up' album on vinyl I ever heard. I only found out about his passing this morning so there isn't time for me to include a tribute in the main show this week but if you come along early, I'll throw some Tandy-centric ELO into the pre-show. RIP.  

KattattaK! S11E7 THE DEMO SESSION

 

This Saturday, we are finally getting to the long-awaited Demo Session! That's right, something that really can only happen in Second Life: you wear your favorite demo outfit while DJ Katt plays demo tunes! 

- So what is a demo outfit and what are demo tunes?

- In Second Life, demos are essentially trial versions of items you can get in stores. They function like a way to try before you buy, letting you see if an item works for you before spending any Linden Dollars (Second Life's currency). Here's a breakdown of how demos work: Demos allow you to preview clothes, furniture, gadgets, or anything else a store sells. You can check how it looks on your avatar, how it fits, or how it functions. Most stores will have a "Demo" option available for their products. Clicking this will give you a temporary copy of the item, marked with a "DEMO" label to distinguish it from the purchasable version. Demos often have limitations. They might be brightly colored, have text saying "DEMO" attached, or lack some functionalities. This is to discourage using them as a replacement for the real item.

- A demo tune, also called a demo song, refers to a rough or unfinished version of a musical piece. It's like a first draft of a song, used for various purposes rather than being a final product for listeners. Generally, demo tunes aren't intended for public release, although some artists might share them later as bonus content or demos collections. Demo tunes typically have a simpler production compared to a finished song. They might have basic instrumentation, unpolished vocals, and less complex arrangements. The focus is on capturing the core melody, lyrics, and song structure.

- So now you know! KattattaK! simply the best music in Second Life since 2021: if you're not here, you're missing out!

Linden Highway 8B - Adventure Awaits!

 

I wonder how many people in Second Life even know there's a network of Linden-maintained highways across the mainland continents? We've been exploring some of them recently and want to encourage you to do the same! In the picture above, I am standing at one end of Route 8B (- I think I put 88 in the photo, oops). Route 8 (and 8a, 8b, and the Old Wagon Road) make up just one network on one of the land-masses of Second Life.  

According to the SL Wiki, The land creation team sets aside "road" parcels in many new Mainland regions; it's the duty of the LDPW (Linden Department of Public Works) to add content to those parcels. Not only roads: walking trails, railways, monorails, bridges, ferryboats, sailing routes, etc.

These highways are all public, and traversable without the worry of private-land-boundaries, security orbs and the like. Like all of Second Life, crossings from one region (sim) to another can be bumpy at times and just as with sailing or any other travel in SL, these can sometimes lead to crashes or freezes or other odd behaviors. 

The best part about these highways is that it shows you just how much SL has changed over the years - and in many cases - hasn't changed! The vast majority of things you see roadside as you travel along these trails date back to the first years of SL, mostly from about 2007-2015. Sure, there's people actively updating and creating newer parcels and builds but there is also a lot of what would seem to be abandoned parcels, houses, shops and....well sometimes it's not even obvious what something is supposed to be but that's half the fun of SL, it can be whatever you want it to be. 

There are frequent rez-zones along these roads so you can rez a vehicle, horse, etc. to ride along the roads. Also there's a few that are serviced by 'pods', automated little hovering cars that follow set routes and often have text-commentaries as you move along like a Beverly Hills bus-tour. 

Spend an hour moving along these highways and if you're anything like me, you will be left a little bit awestruck when you remember that every single object   in Second Life, that's right, everything, (with the exception of infrastructure and the land itself) was created by and placed there by a user just like you and me. So next time you stand around at the Lesbian Teahouse and thinking "There's really not that many people in SL these days..." spare a thought that yes, yes there are, they are just spread out more than they ever were and not everyone in SL is hanging around the same places you are! There is literally a whole planet out there to be seen and explored. If you're not having fun in SL, you're doing it wrong!

See also: https://wiki.secondlife.com/wiki/Linden_Department_of_Public_Works_Roads

- Katt.

KattattaK! RETROWAVE MIX

You betta believe it! KattattaK! season 11, episode 6 is this Saturday, April 20th 2024 at 6PM SLT exclusively at Kimkattia. This week, DJ Katt is lining up some great tunes from the Retrowave vaults to stimulate your ear holes and improve your weekend. 

But what the heck are Retrowave, Synthwave, and Vaporwave?

These three genres, though linked by their love for the 80s, offer distinct auditory and visual experiences. Retrowave, the broadest term, acts as an umbrella encompassing a nostalgic yearning for the era. Think Miami Vice aesthetics – neon lights, chrome, and geometric shapes – with a modern twist. Its music pulls from various 80s influences, with pulsating synth lines and catchy melodies reminiscent of video game soundtracks and pop hits.

Synthwave dives deeper into the musical side of the 80s. Think John Carpenter soundtracks or cheesy action film scores. It's a celebration of synthesizer-heavy music, often using vintage instruments to recreate that classic sound. Think driving beats, soaring melodies, and a heavy dose of nostalgia.

Vaporwave subverts the nostalgic approach. It utilizes heavily chopped and slowed-down samples of 80s smooth jazz, pop, and elevator music. This creates a dreamlike, often unsettling atmosphere, with a critical edge. Visually, vaporwave employs surreal imagery, often featuring distorted versions of classic 80s icons. It's a commentary on consumerism and the superficiality it perceives in that era.

In essence, retrowave is a neon-lit love letter, synthwave a musical time machine, and vaporwave a distorted reflection. All three offer a unique journey through a reimagined 1980s landscape.

KattattaK! S11E5 Anything Goes!

 

Saturday, 13th April 2024 @ 6PM SLT:

This week at Kimkattia, DJ Katt is back with another of her Saturday Night Getdowns. This week, "Anything Goes" (and it probably will). 

"Anything Goes" is a classic song from the 1934 musical of the same name by Cole Porter. It's a lively, upbeat tune that captures the freewheeling spirit of the Roaring Twenties, even though it was written a bit later during the Great Depression. The lyrics are full of witty references to social and cultural scandals of the time, with Porter's signature clever wordplay. The main theme is that in a crazy world, anything goes – morals are relaxed, traditions are tossed aside, and having fun is the priority. "Anything Goes" has become a standard and has been covered by many famous artists, from Tony Bennett to Lady Gaga. It's also been featured in movies, most notably, Indiana Jones and the Temple of Doom, near the start in Club Obi-Wan (yes, George Lucas really did use that name), in Shanghai during the movie's opening chaotic music scene. 

Of course, this has nothing to do with this week's KattattaK! but we thought you might like the reference :)

The Sound of Deviance: DJ SIA @ Kimkattia!

This coming Saturday, April 6th 2024, The Kimkattia Dome plays host to another set by our very own DJ SIA (Sia Aurora) The Sound of Deviance. Tunes start to spin around 6pm SLT (9pm EDT). You can find us here

A Solo Act: Examining the Rise of Women in Rock, Pop, and Indie Music (2024)

The historical dominance of male solo artists across rock, pop, and indie genres has demonstrably shifted in recent years. Female soloists are experiencing a period of unprecedented commercial and critical success. This article explores the contributing factors to this phenomenon.

1. Unfiltered Emotional Expression:  A defining characteristic of this trend is the willingness of female soloists to express vulnerability in their music.  Studies by the USC Annenberg Inclusion Initiative (2023) highlight a correlation between increased emotional depth in lyrics and audience connection. Artists like Phoebe Bridgers (indie rock) and Olivia Rodrigo (pop) directly address complex themes of heartbreak, self-discovery, and societal pressures, resonating with a wider audience seeking emotional authenticity.

2. Genre Transgression:  Gone are the days of neatly categorized genres.  Female soloists are actively blurring genre lines, creating a more dynamic musical landscape.  St. Vincent's (indie rock) incorporation of electronic elements and Grimes' (experimental pop) defiance of categorization altogether exemplify this trend. This genre fluidity allows for a more complete artistic expression, attracting a wider fanbase previously confined by genre limitations.

3. The Democratization of Music Distribution:  The rise of digital platforms like Bandcamp and social media allows for a more direct connection between artist and audience. This empowers solo artists, particularly in the indie sphere, to bypass traditional gatekeepers and build dedicated followings.  This not only fosters creative freedom but also empowers a diverse range of female voices to reach a global audience.

4. Songwriting Prowess:  Ultimately, great music transcends gender.  The current wave of female soloists is distinguished by their exceptional songwriting abilities.  Artists like Mitski (indie rock) weave poetic narratives into their music, while Taylor Swift (pop) continues to craft undeniably catchy hooks.  This focus on strong songwriting ensures their music endures beyond fleeting trends.

5. A New Generation of Role Models:  The success of these female soloists is having a profound impact on a younger generation. By seeing accomplished women leading musical movements, young girls are empowered to pursue their own musical aspirations. This dismantles the historical perception of music as a male-dominated domain and paves the way for a future where female solo artists are not just the present, but the norm.

In conclusion, a confluence of factors -  emotional expression, genre-bending, technological advancements, songwriting strength, and a new generation of role models - has propelled female solo artists to the forefront of rock, pop, and indie music. This trend signifies a significant shift in the musical landscape, one that promises a future filled with the diverse and powerful voices of women.

 

KattattaK! S11E4 - Totally 80s -

 This week at the Kimkattia Dome - Katt returns with another of her 80s mixtapes to take you on a genre-defying trek across a decade. 

KattattaK! - Get Ready to Rewind with DJ Katt Aurora!

Calling all neon warriors and synth-wielding survivors! KattattaK! is the live show that blasts you back to the electrifying heart of the 80s. This isn't your parents' nostalgia trip – it's a full-on immersion experience led by the dynamic DJ Katt Aurora.

DJ Katt, spins fire with her infectious energy and encyclopedic knowledge of 80s music. More than just dropping beats, Katt drops knowledge! KattattaK! is a buffet of 80s sounds. We're talking New Wave with The Cure, and power ballads that will have you reaching for the high notes. But that's just the tip of the iceberg! We're getting lost in the synth-pop heaven with Strawberry Switchblade and Human League. And we're unearthing the hidden gems of the decade with some deep dives.

KattattaK! isn't just about music, it's about the whole 80s vibe. But KattattaK! isn't a one-way street. This show is interactive! The chat in the room will test your 80s trivia and keep the energy pumping, in short, this show is your ticket to the ultimate 80s party. So dust off your neon, tease that hair, and get ready to KattattaK! with DJ Katt Aurora. This live show is gonna be totally rad!

KattattaK! S11E3 TOTALLY 80s

Hey, KattattaK! fans, we've got a treat for you tonight, DJ Katt is back in the NEW Kimkattia Dome and will be spinning some upbeat 80s tracks to put the spring into your step as we move into Spring 2024.

Spring's Soundtrack: 80s Beats and Blossoming Joy

Spring's arrival is a natural mood booster, but add a soundtrack of 80s music, and the effect becomes truly infectious. Here's why this specific pairing creates a potent elixir of happiness.

Firstly, both spring and 80s music are intrinsically optimistic. Spring is a season of rebirth, with nature bursting forth in vibrant colors. Similarly, 80s music often brims with upbeat melodies, synthesizers evoking a futuristic optimism, and lyrics celebrating love, fun, and possibility. This shared positive energy creates a synergistic effect, amplifying the feeling of joy.

Secondly, nostalgia plays a significant role. For many, 80s music is linked to youthful memories — carefree days spent outdoors with friends, the excitement of new discoveries. Spring's arrival can trigger these same feelings of liberation and possibility, especially when accompanied by the soundtrack of our youth.

Finally, the energy of 80s music perfectly complements the call of the outdoors in spring.  Whether it's a synth-driven pop anthem or a lively dance track, 80s music provides the perfect rhythm for a stroll through a blooming park or a bike ride on a sun-drenched path.

So, crank up the 80s beats as you step outside this spring.  The combination of sunshine, blooming flowers, and the infectious optimism of the music creates a powerful synergy that elevates our mood and makes us feel truly alive.

KattattaK! since 2021: if you're not here, you're missing out!

 

KattattaK! Presents DJ SIA AURORA Saturday, March 16th 2024, at 6pm SLT

This Saturday, March 16th 2024, at 6pm SLT, we welcome back our very own DJ SIA for another of her "Sound of Deviance" sets exclusively at Kimkattia.

Are you tired of the same old club scene? Do you crave a night that's equal parts mosh pit and neon lights?  Then buckle up, because DJ Sia is blasting you back to the future at the Kimkattia Dome, This ain't your parents' basement dance party. This is grunge reborn under a pulsating, futuristic skyscape!

DJ Sia's got your adrenaline pumping with a relentless mix of the most iconic grunge anthems, fist-pumping 90s rock classics, and retro covers so sick they'll rewrite history.  The Kimkattia Dome's state-of-the-art sound system will have you feeling every power chord, while the dazzling light show explodes around you like a supernova.  It's the ultimate collision course between the head-banging glory days and the electrifying unknown.

So ditch the tired playlists and the lame DJs.  Tonight, you're diving into a portal of pure rock and roll energy at Kimkattia Dome with DJ Sia.  This is your chance to unleash your inner rock legend!

KattattaK! S11E2

 

KattattaK! S11E2 this week only at the Kimkattia Dome! Katt has another banging progressive house, trance and EDM session for you so make sure you come along and dance your ass off with us!

Imagine a dance floor odyssey. Gone are the predictable basslines and repetitive melodies. Here, swirling synths morph and escalate, weaving intricate tapestries of sound. Infectious melodies burrow into your brain, demanding attention, while basslines rumble with a low-end growl that compels movement. This isn't background music; it's a full-on sonic journey.

Progressive house caters to the musical explorer, the one who craves aural experiences that rival a heart-pounding late-night escapade. DJs here are more than beat-droppers; they're sonic architects, building intricate soundscapes that seamlessly shift from driving techno to euphoric breakdowns and back again. It's a genre that thrives on emotional manipulation, a hypnotic blend of euphoria and deep grooves that leaves you utterly spent and desperate for more. 

Forget the tired playlists that dominate the mainstream. Progressive house is the rebellious cousin, pushing boundaries and defying expectations. It's the future of house music, a genre that blasts through speakers and straight into your soul. Be prepared to get hooked.

KattattaK! S11E1

 

Welcome back! We're kicking off Season 11 this weekend with a night of EDM, Progressive House and Vocal Trance tunes. Born in the early 90s, progressive house took house music on a melodic journey. Unlike its "acid house" cousin, it traded heavy synths for intricate chords and uplifting vibes. Tracks build slowly, weaving a tapestry of sound that crescendos into a euphoric high. Forget classic choruses and bass drops - progressive house relies on constantly evolving melodies and atmospheric textures to keep you moving. Though initially met with resistance, it found its home in clubs, captivating dancers with its infectious energy and ever-changing soundscapes. Come along this Saturday evening, March 2nd at 6pm SLT (9pm EST) and explore the world of progressive house - it's an experience waiting to be discovered.

KattattaK! Season 11 Episode 0 - Another DJ Katt Mixtape Session

We are warming up for Season 11 with another DJ Katt Mixtape Session this week. This is an unthemed night of music where Katt plays tunes from any era, in any genre, just because she can. One thing can be guaranteed: she won't disappoint with her choice of tunes! Come along early for the preshow, doors open just before 6pm SLT (9pm EST) on Saturday February 17th 2024.

 

East vs West: DJ showdown

 

This coming Saturday, the Kimkattiadome is host to "Tear Down the Walls", featuring DJ West (Sia Aurora), and DJ East (Katt Aurora) as they go head to head in a 2 hour showcase of pop and rock music from two geographic perspectives. DJ West will be playing music from the USA, Canada, Britain, etc. and DJ East will be complementing that with a set of eastern tunes born behind the Berlin Wall (both during and since). Should be a lot of fun :) 

2024 Kimkattia Connect4 Tournament: Stace races into a first round win!

 

Stace has raced into a lead in the first 2024 Kimkattia Connect4 Tournament! Beating Kimmie in her opening game, she then went on to beat Katt in a drawn out game of chicken with Katt realizing she had made the ultimate mistake, leaving Stace with two possible ways to win! Kimmie then routed Katt with a simple win as Katt was left half asleep! With one round played, Stace leads with 2 wins, Kimmie has 1 and Katt 0.

KattattaK! S10E8 in review

 

Saturday, January 20th 2024, was a momentous day in the history of Radio Kimkattia and of KattattaK! in particular: it marked the first show to take place in the new/rebuilt Kimkattia Dome, and the first time we had a guest DJ spinning the tunes. Our very own Sia Aurora, aka DJ Sia "The Sound of Deviance", took the helm and spun for us about 90 minutes of alternative rock (grunge, shoegaze, Madchester, etc.) as well a selection of cover-versions spanning many genres and decades. Everyone present said how much they enjoyed the set and we certainly hope that Sia decides to make this a regular, perhaps even separate, event here at Kimkattia. 

KattattaK! S10E6

 

This Saturday, join us for KattattaK! S10E6 "Back to the 80s". It's also been designated "Crazy Hair Night" by Kimmie, so make sure you break out the hairspray and wash-in colors and dazzle us with the zaniest hair on the grid :)