KattattaK! S16E2 - GET YOUR DANCE ON!


 Saturday 26th April 2025 - "Sound Waves" with DJ Katt Aurora. Another journey into EDM, Vocal Trance, Progressive House, Techno and Electro (did I leave anyone out?)

A Field Guide to the Pulse of the Dance Floor: EDM, Trance, Progressive House, Techno, and Electro

— as heard in the sweat-drenched sanctuary of a late-night dance party.

In the shadowy glow of lasers and strobes, where sweat glimmers like sequins and basslines throb through concrete like seismic waves, music is more than entertainment—it’s an atmosphere, a shared hallucination in rhythm. But not all beats are created equal, and within the electronic dance music universe, subgenres sculpt the mood like unseen architects. Each one has its own sonic palette, emotional tone, and secret mission. Whether you’re raising your arms at sunrise or grinding through midnight fog, here’s how to know what you’re dancing to.


EDM: The Catch-All Superclub Colossus

Let’s start with the broadest brush: EDM, short for Electronic Dance Music. Think of it as the umbrella term, a pop-culture suitcase holding many different styles inside—from commercial radio hits to underground anthems. In the context of a dance party, when someone says “EDM,” they usually mean the high-energy, stadium-sized stuff: festival-ready drops, euphoric builds, and choruses that explode with confetti and digital fireworks. It’s the soundtrack of big-tent euphoria, designed to make thousands of strangers feel like they’ve known each other forever.

At an EDM-heavy party, expect polished production, singalong moments, and crowd-pleasing theatrics. It's accessible, intense, and—depending on your taste—either emotionally transcendent or emotionally manipulative. The DJs here are rockstars, the drops are gospel, and subtlety is often left at the door.


Trance: The Hypnotic Pilgrimage

Now descend into trance, the genre that doesn’t just want to make you move—it wants to transport you. Built on rolling basslines, shimmering arpeggios, and long, sweeping build-ups, trance is all about emotional elevation. The BPM typically hovers around 130–140, but it feels faster, lifted by ethereal pads and breakdowns that seem to suspend time.

In the trance room at a party, you’ll find people with closed eyes, lost in a kind of meditative ecstasy. There’s a spiritual quality here—a sense of journey. It’s dance music with a soft heart and a cosmic compass, where the DJ isn’t just cueing tracks but guiding a collective awakening.


Progressive House: The Long Game

Progressive house is the grown-up cousin of both trance and EDM—more patient, more textured, less about the drop and more about the flow. Think of it as the deep breath between beats. The rhythms build slowly, layering melodies and textures until the room is swimming in sound.

This genre favors slow burns over cheap thrills. At a party, progressive house creates that magical “in-between” moment—the hours where night isn’t quite over, but morning isn’t quite real. It's seductive rather than explosive, less about taking off your shirt and more about rolling up your sleeves and feeling something. It often bleeds into emotional territory, yet maintains a kind of cool restraint.


Techno: The Mechanical Soul

Techno is raw, minimalist, and—despite its cold exterior—deeply visceral. Born in Detroit but refined in Berlin's warehouses, it's all about repetition, texture, and rhythm. No catchy choruses here, no sparkling drops. Just a relentless 4/4 beat, industrial overtones, and a darkroom intensity that either terrifies or frees you.

In a techno space, the dancefloor feels like a factory on fire. The crowd becomes a machine. There's rarely a “hook,” but that’s not the point. Techno is about the grind, the trance-like state achieved by endurance. It’s sweat-slick, cerebral, and unforgiving. If EDM is a party, techno is a ritual.


Electro: The Funk of the Future

Finally, we arrive at electro—not the misused synonym for all things electronic, but the genre rooted in '80s machine funk. Electro is where breakbeats meet robotic voices, where syncopation replaces the 4/4 stomp. Think Kraftwerk colliding with a street dancer’s boom box.

In the right hands, electro is fierce and funky, merging sci-fi aesthetics with body-rocking grooves. It’s the genre for those who want to dance differently—jerky, angular, unpredictable. An electro set at a party is like a glitch in the Matrix: cool, mechanical, but strangely soulful. It rewards the brave and confuses the passive.


The Dance Floor Dialect

Each of these genres speaks its own language, appealing to different instincts and emotions. Some pull you inward; others blast you outward. In the ever-evolving organism of a dance party, these styles might not stay separate for long—DJs blend, merge, and mutate them like alchemists. What starts as a techno set might bloom into progressive; an EDM anthem may lean into trance halfway through.

But understanding these genres gives you the map—and once you’ve got that, you can choose your journey, whether you want to ascend, dissolve, march, or melt.

After all, the beat may be endless, but how you move to it? That’s the real story.




LET'S DO THIS! KattattaK! Season 16 Episode 1


 This Saturday, 19th April 2025, DJ Katt is back in the Dome to kick off Season 16 after last week's warm up with our very own Sia Aurora: The Deviant DJ (and it was amazing!)

Season 16 will take us once more into the realm of nostalgia, 1980s nostalgia to be precise. And we're left answering the question (for our younger friends), 'can you be nostalgic for a time you never lived in?' - Well read on.... 

The Ghosts of Never-Was: Longing for a Past You Never Lived

Can you feel nostalgia for a time or place you never truly knew? The answer, surprisingly, is yes—and it’s becoming more common in our hyper-connected, media-saturated age. This phenomenon, sometimes called anemoia, is the wistful yearning for a past that lies entirely outside our own lived experience. Think of the ache stirred by the flickering grain of a 1960s home movie, the longing evoked by wartime love letters, or the peculiar sadness that arises from watching old advertisements for now-defunct products. These feelings aren’t rooted in personal memory, but they’re real—and potent.

This isn’t simply romanticism or escapism. It’s a psychological and cultural response to the erosion of stability in the present. In times of rapid change, people often look backward—not just to their own childhoods, but to earlier eras that seem, in hindsight, simpler or more meaningful. The digital age compounds this: through streaming platforms, vintage aesthetics, and curated social media feeds, we’re exposed to a mosaic of the past as a consumable, aesthetic experience.

But anemoia is more than aesthetic fascination. It reveals something profound about human identity: our need for continuity and belonging. Nostalgia for an unexperienced past can act as a form of emotional inheritance, especially for those who feel out of step with the present. It can connect us to collective histories, imagined communities, or the shadow lives we might have lived in another era.

Of course, this kind of nostalgia can be deceptive, romanticizing the past while glossing over its realities. Yet it also reminds us that memory isn’t just personal—it’s cultural. And sometimes, the things we miss most are not our own memories, but the echoes of others’, reverberating across time and reminding us that longing itself can be a shared human experience.


DJ SIA AURORA!


 Tonight at the Kimkattia Dome (Saturday, 12th April 2025), we have our own Sia Aurora ("The Deviant DJ") spinning the tunes while Katt takes a week off between seasons. This one kicks off our Season 16, and Katt is planning to go back to a seasons of EDM/Trance/House and dance music this season!

The Eclectic Revolution: Why Genre-Bending Playlists Are the Future of DJ Culture

In an era where music algorithms try to box us into micro-genres, the rise of eclectic playlists and genre-blending DJ sets is a defiant breath of fresh air. Once upon a time, the idea of spinning Bowie into Burna Boy, or seguing from Aphex Twin into Dolly Parton, might’ve been met with furrowed brows and anxious promoters. Today, it’s the mark of a selector who knows that connection matters more than convention.

This isn’t just about flexing taste or obscure crate-digging credentials. It’s about storytelling without borders. DJs who refuse to be shackled by BPM or era understand something deeper: we don’t experience life in mono. Our emotions don’t fit neatly into “tech house” or “post-punk.” Eclectic sets—carefully chaotic, stitched with intuition and bold leaps—mirror the complexity of how we live, feel, and remember.

From London’s NTS Radio to warehouse nights in Berlin, genre-agnosticism is finding its foothold in every underground and overground scene. Playlists have become time capsules, coded messages, mood boards. And with platforms like Spotify, SoundCloud, and even TikTok pushing hybrid sounds into the mainstream, younger listeners are more comfortable than ever living in sonic multiverses.

The best DJs today aren’t just mixing tracks—they’re blurring cultural lines, disrupting sonic hierarchies. The goal isn’t cohesion in the traditional sense, but in vibe, in spirit. In the hands of the right artist, a whiplash jump from Nine Inch Nails to New Edition becomes less a risk, more a revelation.

In a world addicted to personalization and predictability, eclecticism offers a beautiful kind of chaos. It’s less about genre, more about joy. Less gatekeeping, more open invitation. And that’s exactly what makes it irresistible.



KattattaK! Season 15 Finale!

 


This Saturday, 5th April 2025, will be the Season 15 Finale at the Kimkattia Dome!

For this Season Finale, DJ Katt is going to dig through her recent favorites playlist and spin some tunes guaranteed to get you moving on the dancefloor: from some 80s favorites, some EDM bangers and some retrowave grooves it's all about the BPM! Doors open 5:45pm SLT for the preshow then the show kicks off at 6pm SLT. If you're not here, you're missing out!

Mark your calendar because next Saturday: April 12th, DJ Sia Aurora - The Deviant DJ - will be back in the dome to spin some of her great tunes for you while Katt takes a week out on the other side of the turntables!

Why Do the Dutch DJ?

The Netherlands’ Unstoppable Reign Over the Global EDM Scene

The Dutch Invasion of Dance Music

Ever noticed how many of the world’s biggest DJs seem to come from the same tiny country? From festival kings like Tiësto and Armin van Buuren to modern chart-toppers like Martin Garrix and Oliver Heldens, the Netherlands has become a dance music factory. But why? What is it about this place—famous for windmills, tulips, and canals—that also produces world-class DJs at an almost industrial rate?

Let’s take a deep dive into why the Dutch don’t just love dance music—they dominate it.

A Culture That Lives and Breathes EDM

One of the biggest reasons Dutch DJs take over the scene is that dance music isn’t just popular in the Netherlands—it’s part of the national identity. While house and techno were underground movements in many parts of the world during the late ‘80s and early ‘90s, the Dutch embraced it right away.

In the early days, clubs in Amsterdam and Rotterdam were spinning house beats imported from Chicago and Detroit, blending them with European electronic influences. Before long, the Dutch were creating their own signature sounds—first with trance in the ‘90s, then with hardstyle and big-room house in the 2000s.

Just listen to Tiësto’s “Adagio for Strings” (2004) or Armin van Buuren’s “Communication” (1999) and you’ll hear the birth of Dutch trance. Or, if you want something heavier, check out the early hardcore/gabber scene with Paul Elstak’s “Luv U More” (1995).

Festivals That Create Superstars

Dutch festivals aren’t just massive—they’re a rite of passage. The Netherlands is home to some of the most famous and well-run dance music events in the world. A few standouts:

  • Amsterdam Dance Event (ADE): Part festival, part conference, all business. This is where aspiring DJs rub shoulders with industry giants.

  • Tomorrowland: Okay, it’s in Belgium, but let’s be honest—it’s packed with Dutch artists and influences.

  • Defqon.1: The mecca of hardstyle, a genre largely pioneered by Dutch DJs like Headhunterz and Wildstylez.

  • Awakenings: If you love techno, this is your holy ground.

  • Mysteryland: One of the longest-running electronic music festivals in the world, dating back to 1993.

These events don’t just bring crowds; they create careers. It’s no coincidence that almost every major Dutch DJ got their big break at one of these festivals. Take Hardwell, who skyrocketed to fame after tearing up Amsterdam Music Festival in 2013.

Schools for Superstar DJs

Most kids learn algebra. Dutch kids? They learn how to make beats. The Netherlands is one of the few countries where you can actually go to school to become a DJ or producer.

  • Herman Brood Academy in Utrecht has alumni like Martin Garrix and Julian Jordan.

  • Conservatorium van Amsterdam is where some of the best technical music minds sharpen their skills.

  • Pioneer DJ School literally teaches the art of DJing with the best gear money can buy.

Martin Garrix, for example, was only 17 when he released “Animals” (2013), but he already had years of formal training under his belt.

Dutch DJs Know How to Market Themselves

Ever wonder why so many Dutch DJs go viral? It’s not just luck. The Dutch understand the power of branding, social media, and networking like no other. Martin Garrix, for example, blew up thanks to smart use of YouTube and SoundCloud, while Tiësto built a global empire through constant reinvention.

A great example is Don Diablo, who turned his futuristic brand into a movement with his label Hexagon. Or Afrojack, who went from underground producer to a Grammy-winning artist by working with pop stars like Beyoncé and Pitbull.

The key? Dutch DJs don’t just drop tracks and hope for the best. They build fan communities, work with influencers, and use streaming platforms to dominate charts.

The Dutch Mindset: Open, Innovative, and Pragmatic

There’s something about the Dutch mentality that makes for great DJs. They’re forward-thinking, innovative, and not afraid to experiment. They also have an open attitude toward nightlife, which means electronic music has been accepted as a legitimate art form for decades.

Take Oliver Heldens, for example. Instead of sticking to the standard big-room house formula, he created his own genre—future house—blending deep house and EDM into something fresh. His track “Gecko (Overdrive)” (2014) changed the game.

The Sound of Dutch EDM: A Suggested Listening List

Want to experience the Dutch EDM magic for yourself? Here’s a playlist that takes you through the decades:

  1. Tiësto – “Adagio for Strings” (2004) – The anthem that put Dutch trance on the global stage.

  2. Armin van Buuren – “This Is What It Feels Like” (2013) – A perfect blend of trance and radio-friendly vocals.

  3. Hardwell – “Spaceman” (2012) – The sound of the big-room house explosion.

  4. Martin Garrix – “Animals” (2013) – A track that took over every festival and club worldwide.

  5. Afrojack – “Take Over Control” (2010) – One of the most influential electro-house tracks.

  6. Oliver Heldens – “Gecko (Overdrive)” (2014) – The birth of future house.

  7. Headhunterz – “Dragonborn” (2011) – A must-listen for hardstyle fans.

  8. Don Diablo – “Momentum” (2017) – A futuristic take on house music.

  9. Ferry Corsten – “Punk” (2002) – A trance classic with a rebellious edge.

  10. Nicky Romero – “Toulouse” (2012) – One of the most iconic drops in EDM history.

Conclusion: The Dutch Will Keep Dominating

At this point, the Netherlands isn’t just a hub for DJs—it’s an EDM empire. With an unbeatable combination of music culture, world-class festivals, DJ schools, and marketing savvy, the Dutch show no signs of slowing down. Whether you’re raving at a massive festival or just vibing to a house mix, chances are, a Dutch DJ is behind the decks.

So, why do the Dutch DJ? The real question is: how could they not?




KattattaK! S15E9 "Girls in Fast Cars"

 

Tonight at the Kimkattia Dome!



Girls in Fast Cars: The Synthwave Dream in Overdrive

Neon-lit highways, pulsing drum machines, and the unmistakable hum of a turbocharged engine—few images capture the essence of synthwave quite like girls in fast cars. A staple of the genre’s aesthetic, this concept isn’t just about speed; it’s a tribute to 80s futurism, independence, and cinematic cool.

From the moody soundscapes of The Midnight to the high-energy outrun anthems of Kavinsky, synthwave artists weave stories of fearless women behind the wheel, racing into the neon night. It’s a nod to cult classics like The Wraith (1986) and Miami Vice, where sleek machines and synth-heavy soundtracks fueled a generation’s obsession with rebellion and escape.

Lyrically and visually, these fast-driving femmes symbolize autonomy—unbound by time or convention. Whether it’s the cyberpunk noir of Gunship or the vaporwave-influenced aesthetics of artists like Dana Jean Phoenix, the image of a woman tearing down a midnight highway is both retro and futuristic, evoking a world where destiny is written in neon.

In synthwave, girls in fast cars aren’t just passengers; they’re icons of speed, style, and self-determination—burning rubber across an endless digital dreamscape.


New Club Group!

Make sure you join our new "KattattaK" (<--- click this link) group (previously Katta's Krew) to keep up to date with all the shenanigans at Kimkattia: 

How to play the Danish dice game Grådige or Greedy

How to play the Danish dice game Grådige or Greedy

Today I learned that the Second Life boardgame known as "Greedy" is not - as I assumed - just something invented for Second Life but is, in fact, based on a 'real life' game allegedly of Danish origin! Who knew?

The following is from hyggestyle.co.uk, a website devoted to living the Scandinavian lifestyle, so all credit to them for this information!

Greedy is a high-scoring game in which players roll dice for points. As well as being a fantastic after dinner game, it is also great for travel, pubs or holidays as you only need a few dice in your pocket, some paper and a pen (and it’s fabulous for kids who need to practice their math!). You roll 5 dice, move aside only the dice you want to use for points, then re-roll the remaining dice. As long as you keep scoring you can keep rolling (if you’re feeling lucky!); your points will accumulate as long as you keep rolling valid throws. You can stop at any point, but if none of the dice you roll score you lose your turn and any points you made during that turn. 



OBJECT: To get scoring dice on every roll, and to be the first player to get more than 10,000 points.

YOU WILL NEED: 5 dice, a shaker and pen and paper

GET STARTED: Each player must roll at least 400 points during one turn to get into the game. The player’s game-entry score and subsequent scores are added up below their name on a piece of paper.

PLAY:

The first player rolls five dice and decides which dice they want to use for scoring. If they don’t roll any 1s, 5s or other scoring combinations, their turn is over and they must pass the dice to the next player.

You don’t have to remove all the dice that count on your roll, only the ones you want to use for scoring.

If you roll no scoring dice, your turn is over and you lose all the points you rolled on that turn.

You may stop rolling at any time, take your points and pass the dice on.

Only 1s and 5s count by themselves. Other numbers can count as three-of-a-kind, straights or full houses – but not pairs; any of these combinations must be rolled in one go.

When one player reaches 10,000 points (or any final score you decide on), all other players get one more turn to try to beat them.

The highest score then wins the game; the more players you have the lower you might want to decide the winning score to be!

SCORING:

5s = 50 points each

1s = 100 points each

SCORING COMBINATIONS:

If a single 1 is rolled…………………..100

If two 1s are rolled…………………….200

If three 1s are rolled…………………1,000

If a single 5 is rolled……………………50

If two 5s are rolled…………………….100

If three 2s are rolled…………………..200

If three 3s are rolled…………………..300

If three 4s are rolled…………………..400

If three 5s are rolled…………………..500

If three 6s are rolled…………………..600

4 of a kind (must be in one roll) e.g. 4x2s = 1500 points

5 of a kind (must be in one roll) e.g. 5x2s = 2000 points

A straight (must be in one roll) (1,2,3,4,5 or 2,3,4,5,6) = 2000 points

A full house (must be in one roll) e.g. 3x4s & 2x5s = 2500 points

KATTATTAK! S15E8 BACK TO 1985


 This week at KattattaK! we are going back to 1985, a year that's poignant to DJ Katt and one that she says defines a lot of her musical tastes today. Why is that?

1985: The Year British Synthpop Morphed Into Something Else

By 1985, the golden age of British synthpop was both peaking and fraying at the edges. The sound that had once stormed the charts with icy futurism and neon-lit melancholy was evolving, mutating, and in some cases, disappearing into something more commercial, more eclectic—or simply more dated.

At the top of the pile, Tears for Fears delivered Songs from the Big Chair, a masterclass in big-budget, transatlantic synth-rock. "Everybody Wants to Rule the World" was everywhere—spacious, sleek, and a perfect marriage of Roland synths and radio-friendly ambition. Likewise, Depeche Mode toughened their edges with Some Great Reward, wrapping industrial clangs around anthems like "People Are People."

But it wasn’t all glossy triumphs. The Human League, who had defined synthpop’s early ‘80s blueprint, stumbled with Hysteria—a record that felt trapped between past innovation and future uncertainty. Meanwhile, Ultravox was running out of steam, and Heaven 17 softened their once-sharp social commentary into slicker, but less biting, grooves.

Elsewhere, new names were twisting the genre into fresher shapes. Pet Shop Boys crashed the scene with "West End Girls," bringing a detached, urbane cool that set the stage for synthpop’s next evolution. Scritti Politti, with Cupid & Psyche 85, married synths with funk and glossy American R&B, a move mirrored by Paul Hardcastle’s electro-jazz hybrid "19."

Synthpop wasn't dead in ‘85, but it was shifting. The raw minimalism of 1981 had been traded for polished, MTV-ready hits, while underground scenes were already plotting its next reinvention. The sound that once belonged to cold machines was now inescapable, for better or worse.